Melodyne heightens its core competence. The “Melodic” algorithm used for vocals can now distinguish the unpitched, noise-like components of a note – i.e. voiceless consonants (such as sibilants like “s”) and breath sounds – from its pitched components. Even when they coincide. And although all pitch and timing changes are implemented in the tried-and-tested manner as far as the pitched components are concerned, different rules that emulate accurately the natural behavior of the human voice govern the handling of sibilants. So now when you are working with Melodyne, you obtain the highest possible sound quality and most natural-sounding results automatically.
Pros will be relieved to discover it’s no longer necessary to isolate each individual sibilant by hand. That saves a lot of time and makes for a more meaningful display in the Note Editor. At the same time, the results sound far better, as automation works more precisely and overlaps between sibilants and pitched components are taken into account.
Access Neoverb, Tonal Balance Control, Neutron, Ozone, Nectar, VocalSynth, Melodyne 5 essential, Berklee Online® lessons, and more! Just $19.99/month after trial ends. Melodyne 5 Studio is the complete Melodyne, with all Melodyne's unique functions and possibilities. For professional vocal editing, choirs, instruments of all kinds, and samples. And with a multi-track workflow unsurpassed in terms of ease-of-use and musicality. Grammy Award-winning technology, including DNA Direct Note Access. Melodyne 5 studio – 30-day free trial Let Melodyne 5 studio convince you. With the trial version, you can test the full range of functions of Melodyne for 30 days free of charge with no obligation.
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Sibilant detection not only yields acoustic advantages but also new creative possibilities: With the Sibilant Tool, you can adjust the balance between the sibilants and the pitched components of a note. Sibilants can be attenuated, muted altogether, emphasized or even isolated – everything is possible. So, into the bargain, you get a perfect de-esser that only affects the problem areas and has no side-effects on other components of the vocal sound.